Sonus Paradisi Rotterdam Laurenskerk Main Organ (Wet Surround) [Hauptwerk]

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P2P | 02 October 2023 | 33.6 GB

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The large gothic church of Rotterdam was built in 15th century

The church was completed in 1525

Four hundred years later it was almost destroyed by a German bombardment in May of the year 1940

The interior of the sanctuary was entirely lost due to fire

There were left only the outer walls and a part of the tower

The restoration of the church was done after the World War, between 1947-1968.The original church had a large 3 manual organ of Hans Goltfuss from 1644, but a new instrument was to replace it in 1790

The work on the new instrument was not finished before 1828 while several organbuilders successively worked on it

In 1845 Bätz enlarged this instrument to arrive at 72 stops

Nevertheless, this instrument was destroyed completely with the church during the war time

The large organ which we can hear in the church today was built by Marcussen & Son in 1973, the organ case was designed by the architect J

W

Besemer

The instrument is based on 32-foot pedal, it consists of six divisions (Rugwerk, Hoofdwerk, Bovenwerk, Borstwerk, Chamadewerk and Pedaal)

It is completely mechanical organ with 85 speaking stops and ca

7600 pipes

It is said to be the largest purely mechanical organ in Europe

There is, however, the Barker mechanism to be switched on optionally by a foot lever to help the organist when all the manuals are coupled together

However, the full instrument can be operated without this device very well.One striking feature of the instrument is its multi-rank Principal stops

Practically all the Principals and Octaves 16, 8, 4 of all the divisions are made of more than one unisono souding ranks

I have heard this special feature in Spanish organs for the first time (Palma di Mallorca, Santanyi ...) and it makes the sound of the Principal chorus considerably wide and deep

The timbre gets characteristically rich what cannot be achieved easily if a conventional single rank Principal stops are used

For Hauptwerk recording, this constitutes a special challenge, since the chorus effect of the pipes which are often not exactly in tune makes looping really difficult

Only very long samples (around 9-11 seconds) are usable for the virtual model of the organ

Another noteworthy feature is the composition of the mixtures which have unusually high number of ranks as well

The Cimbal of the Bovenwerk is remarkable for its neo-baroque composition including a quart and a sext.A beta tester comments: This is a remarkably colorful and beautiful organ whose sound is surprisingly gentle

None of the voicing feels harsh or pushed

Instead, we get double-rank principal stops and large mixtures with many ranks of gently-voiced pipework that result in a natural, unforced sound

In fuller ensembles, the organ roars, but it never screams - even when the chamades are playing

The sound remains beautiful and comfortable even when played for several hours in headphones.The organ was designed to allow the performance of all organ literature

Indeed, the plenitude of stops, the complete set of horizontal reeds, the French type of reeds, strings in a swell box, rich selection of wide scaled mutations, complete Principal pyramid, full range of stops in pedal - it is all one can dream of

First, I was puzzled by the absense of the French Oboe and I had even thought of adding one virtually, but then, listening to the CDs recorded at the Rotterdam organ by Mr

Hayo Boerema organist-titulaire, convinced me that that such an addition is not needed

The swell trumpet with a nasard can be used as a convincing substitute

Thus, wide range or organ literature from Renaissance, Baroque, Romanticism up to the modern times can be performed adequately on the instrument.